Explore the latest features from Seensome, including filmmaker interviews, festival coverage and in-depth articles from the world of film.
Writer-director James Nunn discusses his latest creature feature, hungry hippo horror Hungry.
Filmmakers Daniel Goldhaber and Isa Mazzei were on hand at the Edinburgh International Film Festival to discuss their smart, meta take on the cult classic Faces of Death.
With 2024 drawing to a close, it's time to reflect on the great and the good of the year in film.
Twenty years after its initial release, cult British classic Dead Man's Shoes is back in cinemas and the film's writer-director Shane Meadows was on hand at the Edinburgh International Film Festival to discuss the film's impact over the decades.
Up-and-coming British filmmaker Charlotte Regan was on hand at the Edinburgh International Film Festival to discuss her debut feature Scrapper.
Director Ira Sachs discusses his latest film Passages, as well as his love of European cinema and the ongoing online discourse around sex in cinema: "It's a fabrication of a conversation"
Writer-director John Michael McDonagh was on hand at the Edinburgh International Film Festival to discuss his latest film The Forgiven.
Emma Appleton and Stefanie Martini attend the Edinburgh International Film Festival to discuss their experience of filming LOLA, the 1940s-set sci-fi from Irish indie filmmaker Andrew Legge.
Counting down the top 20 films of 2021, from Julia Ducournau's Titane and Florian Zeller's The Father, to Ridley Scott's The Last Duel and Jane Campion's The Power of the Dog.
Counting down the top 20 films of 2019, from Lulu Wang's The Farewell and Martin Scorsese's The Irishman, to Noah Baumbach's Marriage Story and Bo Burnham's Eighth Grade.
Director Elfar Adalsteins and actor John Hawkes were in attendance at the Edinburgh International Film Festival to discuss their new film End of Sentence.
2018 has come and gone, so it's time to countdown the year's best films, from Bradley Cooper's A Star is Born and Ryan Coogler's Black Panther, to Best Picture winner The Shape of Water and Chloe Zhao's indie The Rider.
